using the phrase
“anxiety of influence”
is irksome
because someone else
thought of it
first
they say
creativity lives
at dusty crossroads
worn smooth
by bigger feet
with roadsigns
smudged
by older fingers
but that's
small consolation
Monday, October 11, 2010
Friday, September 10, 2010
Autumn 3
Listen as you read:
In autumn moonlight, when the white air wan
by Robert Seymour Bridges
In autumn moonlight, when the white air wan
Is fragrant in the wake of summer hence,
'Tis sweet to sit entranced, and muse thereon
In melancholy and godlike indolence:
When the proud spirit, lull'd by mortal prime
To fond pretence of immortality,
Vieweth all moments from the birth of time,
All things whate'er have been or yet shall be.
And like the garden, where the year is spent,
The ruin of old life is full of yearning,
Mingling poetic rapture of lament
With flowers and sunshine of spring's sure returning;
Only in visions of the white air wan
By godlike fancy seized and dwelt upon.
Merry Autumn
by Paul Laurence Dunbar
It's all a farce,—these tales they tell
About the breezes sighing,
And moans astir o'er field and dell,
Because the year is dying.
Such principles are most absurd,—
I care not who first taught 'em;
There's nothing known to beast or bird
To make a solemn autumn.
In solemn times, when grief holds sway
With countenance distressing,
You'll note the more of black and gray
Will then be used in dressing.
Now purple tints are all around;
The sky is blue and mellow;
And e'en the grasses turn the ground
From modest green to yellow.
The seed burs all with laughter crack
On featherweed and jimson;
And leaves that should be dressed in black
Are all decked out in crimson.
A butterfly goes winging by;
A singing bird comes after;
And Nature, all from earth to sky,
Is bubbling o'er with laughter.
The ripples wimple on the rills,
Like sparkling little lasses;
The sunlight runs along the hills,
And laughs among the grasses.
The earth is just so full of fun
It really can't contain it;
And streams of mirth so freely run
The heavens seem to rain it.
Don't talk to me of solemn days
In autumn's time of splendor,
Because the sun shows fewer rays,
And these grow slant and slender.
Why, it's the climax of the year,—
The highest time of living!—
Till naturally its bursting cheer
Just melts into thanksgiving.
To Autumn
by John Keats
I
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells.
II
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
III
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,--
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
In autumn moonlight, when the white air wan
by Robert Seymour Bridges
In autumn moonlight, when the white air wan
Is fragrant in the wake of summer hence,
'Tis sweet to sit entranced, and muse thereon
In melancholy and godlike indolence:
When the proud spirit, lull'd by mortal prime
To fond pretence of immortality,
Vieweth all moments from the birth of time,
All things whate'er have been or yet shall be.
And like the garden, where the year is spent,
The ruin of old life is full of yearning,
Mingling poetic rapture of lament
With flowers and sunshine of spring's sure returning;
Only in visions of the white air wan
By godlike fancy seized and dwelt upon.
Merry Autumn
by Paul Laurence Dunbar
It's all a farce,—these tales they tell
About the breezes sighing,
And moans astir o'er field and dell,
Because the year is dying.
Such principles are most absurd,—
I care not who first taught 'em;
There's nothing known to beast or bird
To make a solemn autumn.
In solemn times, when grief holds sway
With countenance distressing,
You'll note the more of black and gray
Will then be used in dressing.
Now purple tints are all around;
The sky is blue and mellow;
And e'en the grasses turn the ground
From modest green to yellow.
The seed burs all with laughter crack
On featherweed and jimson;
And leaves that should be dressed in black
Are all decked out in crimson.
A butterfly goes winging by;
A singing bird comes after;
And Nature, all from earth to sky,
Is bubbling o'er with laughter.
The ripples wimple on the rills,
Like sparkling little lasses;
The sunlight runs along the hills,
And laughs among the grasses.
The earth is just so full of fun
It really can't contain it;
And streams of mirth so freely run
The heavens seem to rain it.
Don't talk to me of solemn days
In autumn's time of splendor,
Because the sun shows fewer rays,
And these grow slant and slender.
Why, it's the climax of the year,—
The highest time of living!—
Till naturally its bursting cheer
Just melts into thanksgiving.
To Autumn
by John Keats
I
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells.
II
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
III
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,--
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
Thursday, September 9, 2010
Autumn 2
Listen as you read:
Autumn in the Garden
by Henry Van Dyke
When the frosty kiss of Autumn in the dark
Makes its mark
On the flowers, and the misty morning grieves
Over fallen leaves;
Then my olden garden, where the golden soil
Through the toil
Of a hundred years is mellow, rich, and deep,
Whispers in its sleep.
'Mid the crumpled beds of marigold and phlox,
Where the box
Borders with its glossy green the ancient walks,
There's a voice that talks
Of the human hopes that bloomed and withered here
Year by year,--
Dreams of joy, that brightened all the labouring hours,
Fading as the flowers.
Yet the whispered story does not deepen grief;
But relief
For the loneliness of sorrow seems to flow
From the Long-Ago,
When I think of other lives that learned, like mine,
To resign,
And remember that the sadness of the fall
Comes alike to all.
What regrets, what longings for the lost were theirs!
And what prayers
For the silent strength that nerves us to endure
Things we cannot cure!
Pacing up and down the garden where they paced,
I have traced
All their well-worn paths of patience, till I find
Comfort in my mind.
Faint and far away their ancient griefs appear:
Yet how near
Is the tender voice, the careworn, kindly face,
Of the human race!
Let us walk together in the garden, dearest heart,
Not apart!
They who know the sorrows other lives have known
Never walk alone.
As Summer into Autumn slips
by Emily Dickinson
As Summer into Autumn slips
And yet we sooner say
"The Summer" than "the Autumn," lest
We turn the sun away,
And almost count it an Affront
The presence to concede
Of one however lovely, not
The one that we have loved --
So we evade the charge of Years
On one attempting shy
The Circumvention of the Shaft
Of Life's Declivity.
Autumn in the Garden
by Henry Van Dyke
When the frosty kiss of Autumn in the dark
Makes its mark
On the flowers, and the misty morning grieves
Over fallen leaves;
Then my olden garden, where the golden soil
Through the toil
Of a hundred years is mellow, rich, and deep,
Whispers in its sleep.
'Mid the crumpled beds of marigold and phlox,
Where the box
Borders with its glossy green the ancient walks,
There's a voice that talks
Of the human hopes that bloomed and withered here
Year by year,--
Dreams of joy, that brightened all the labouring hours,
Fading as the flowers.
Yet the whispered story does not deepen grief;
But relief
For the loneliness of sorrow seems to flow
From the Long-Ago,
When I think of other lives that learned, like mine,
To resign,
And remember that the sadness of the fall
Comes alike to all.
What regrets, what longings for the lost were theirs!
And what prayers
For the silent strength that nerves us to endure
Things we cannot cure!
Pacing up and down the garden where they paced,
I have traced
All their well-worn paths of patience, till I find
Comfort in my mind.
Faint and far away their ancient griefs appear:
Yet how near
Is the tender voice, the careworn, kindly face,
Of the human race!
Let us walk together in the garden, dearest heart,
Not apart!
They who know the sorrows other lives have known
Never walk alone.
As Summer into Autumn slips
by Emily Dickinson
As Summer into Autumn slips
And yet we sooner say
"The Summer" than "the Autumn," lest
We turn the sun away,
And almost count it an Affront
The presence to concede
Of one however lovely, not
The one that we have loved --
So we evade the charge of Years
On one attempting shy
The Circumvention of the Shaft
Of Life's Declivity.
Tuesday, September 7, 2010
Autumn 1
Listen as you read:
Autumn Movement
by Carl Sandburg
I CRIED over beautiful things knowing no beautiful thing lasts.
The field of cornflower yellow is a scarf at the neck of the copper sunburned woman, the mother of the year, the taker of seeds.
The northwest wind comes and the yellow is torn full of holes, new beautiful things come in the first spit of snow on the northwest wind, and the old things go, not one lasts.
Autumn Day
by Rainer Maria Rilke
Lord: it is time. The summer was immense.
Lay your shadow on the sundials
and let loose the wind in the fields.
Bid the last fruits to be full;
give them another two more southerly days,
press them to ripeness, and chase
the last sweetness into the heavy wine.
Whoever has no house now will not build one anymore.
Whoever is alone now will remain so for a long time,
will stay up, read, write long letters,
and wander the avenues, up and down,
restlessly, while the leaves are blowing.
To Autumn
by William Blake
O Autumn, laden with fruit, and stain'd
With the blood of the grape, pass not, but sit
Beneath my shady roof; there thou may'st rest,
And tune thy jolly voice to my fresh pipe,
And all the daughters of the year shall dance!
Sing now the lusty song of fruits and flowers.
'The narrow bud opens her beauties to
The sun, and love runs in her thrilling veins;
Blossoms hang round the brows of Morning, and
Flourish down the bright cheek of modest Eve,
Till clust'ring Summer breaks forth into singing,
And feather'd clouds strew flowers round her head.
'The spirits of the air live in the smells
Of fruit; and Joy, with pinions light, roves round
The gardens, or sits singing in the trees.'
Thus sang the jolly Autumn as he sat,
Then rose, girded himself, and o'er the bleak
Hills fled from our sight; but left his golden load.
Autumn Fires
by Robert Louis Stevenson
In the other gardens
And all up the vale,
From the autumn bonfires
See the smoke trail!
Pleasant summer over
And all the summer flowers,
The red fire blazes,
The grey smoke towers.
Sing a song of seasons!
Something bright in all!
Flowers in the summer,
Fires in the fall!
Autumn Movement
by Carl Sandburg
I CRIED over beautiful things knowing no beautiful thing lasts.
The field of cornflower yellow is a scarf at the neck of the copper sunburned woman, the mother of the year, the taker of seeds.
The northwest wind comes and the yellow is torn full of holes, new beautiful things come in the first spit of snow on the northwest wind, and the old things go, not one lasts.
Autumn Day
by Rainer Maria Rilke
Lord: it is time. The summer was immense.
Lay your shadow on the sundials
and let loose the wind in the fields.
Bid the last fruits to be full;
give them another two more southerly days,
press them to ripeness, and chase
the last sweetness into the heavy wine.
Whoever has no house now will not build one anymore.
Whoever is alone now will remain so for a long time,
will stay up, read, write long letters,
and wander the avenues, up and down,
restlessly, while the leaves are blowing.
To Autumn
by William Blake
O Autumn, laden with fruit, and stain'd
With the blood of the grape, pass not, but sit
Beneath my shady roof; there thou may'st rest,
And tune thy jolly voice to my fresh pipe,
And all the daughters of the year shall dance!
Sing now the lusty song of fruits and flowers.
'The narrow bud opens her beauties to
The sun, and love runs in her thrilling veins;
Blossoms hang round the brows of Morning, and
Flourish down the bright cheek of modest Eve,
Till clust'ring Summer breaks forth into singing,
And feather'd clouds strew flowers round her head.
'The spirits of the air live in the smells
Of fruit; and Joy, with pinions light, roves round
The gardens, or sits singing in the trees.'
Thus sang the jolly Autumn as he sat,
Then rose, girded himself, and o'er the bleak
Hills fled from our sight; but left his golden load.
Autumn Fires
by Robert Louis Stevenson
In the other gardens
And all up the vale,
From the autumn bonfires
See the smoke trail!
Pleasant summer over
And all the summer flowers,
The red fire blazes,
The grey smoke towers.
Sing a song of seasons!
Something bright in all!
Flowers in the summer,
Fires in the fall!
Tuesday, August 31, 2010
New Blogsite for Improv Related Posts
From here on, all my improv related posts are going to be posted to http://www.whyimprov.tumblr.com/ so that I can have a url to send people to that doesn't conflict with any personal blogging that I want to do.
I know you are crushed... just click the link.
And by all means, pass it on!
-Matt
mypatchworkpants.blogspot.com
I know you are crushed... just click the link.
And by all means, pass it on!
-Matt
mypatchworkpants.blogspot.com
Saturday, August 21, 2010
Intuition
sometimes
in the labyrinth of thought
you trip over a cord
and you realize
that you're on the outside
and have to find your way
back in
there's a minotaur
and it's sleeping
waiting to be killed
by you
and the cord
is tied
to its big toe
you know this
you can feel the gentle pull
and it isn't until
it's set
that you find
that the hook
was on your end
-matt
http://www.mypatchworkpants.blogspot.com
in the labyrinth of thought
you trip over a cord
and you realize
that you're on the outside
and have to find your way
back in
there's a minotaur
and it's sleeping
waiting to be killed
by you
and the cord
is tied
to its big toe
you know this
you can feel the gentle pull
and it isn't until
it's set
that you find
that the hook
was on your end
-matt
http://www.mypatchworkpants.blogspot.com
Thursday, August 19, 2010
Improv: Series Introduction
Let me start by saying
that this is in no means an attempt to construct a formal paper. This is a blog. This is my (rather weak) attempt to dump everything in this little skull of mine into a place where I can find it later. So there's no need to critique it in formal terms. I'm not going to go out of my way to drop references or qualify anything that I say with quotations from experts. Consider this a "popular essay," where I will try to present what I feel is important in hopes that you will, upon reading it, find it important, too.
Secondly,
I don't know if this has been done before. I've spent a good amount of time researching improv comedy and haven't found anything similar... perhaps I'm simply a terrible researcher. But if there's something else out there that you could say I'm deriving a lot of this from, let me know! I'd love to find someone else out there that feels the same way that I do! Alas, if there is, I haven't found him. Or her. If it's a her, most definitely let me know. Post-haste.
What am I going to attempt?
This is an open letter to the church-at-large. I believe that improv comedy has stumbled over a method by which a community can strengthen itself in very productive and surprisingly painless ways. I believe that it has been overlooked as "silly" for far too long. In so many words, I believe that improv comedy can revolutionize the way that the church deals with personal growth, in-house conflicts, creative stagnation, community outreach, team-building, and many other facets of church life that have heretofore been dealt with in too many disparate ways. This is an attempt to synthesize all previous attempts into a single, encompassing formula.
This may sound a bit naive,
but I plan on laying it on thick. I have a million things to say. This is simply the introduction. I pray that I'll have the wherewithal to stick with it until the end.
that this is in no means an attempt to construct a formal paper. This is a blog. This is my (rather weak) attempt to dump everything in this little skull of mine into a place where I can find it later. So there's no need to critique it in formal terms. I'm not going to go out of my way to drop references or qualify anything that I say with quotations from experts. Consider this a "popular essay," where I will try to present what I feel is important in hopes that you will, upon reading it, find it important, too.
Secondly,
I don't know if this has been done before. I've spent a good amount of time researching improv comedy and haven't found anything similar... perhaps I'm simply a terrible researcher. But if there's something else out there that you could say I'm deriving a lot of this from, let me know! I'd love to find someone else out there that feels the same way that I do! Alas, if there is, I haven't found him. Or her. If it's a her, most definitely let me know. Post-haste.
What am I going to attempt?
This is an open letter to the church-at-large. I believe that improv comedy has stumbled over a method by which a community can strengthen itself in very productive and surprisingly painless ways. I believe that it has been overlooked as "silly" for far too long. In so many words, I believe that improv comedy can revolutionize the way that the church deals with personal growth, in-house conflicts, creative stagnation, community outreach, team-building, and many other facets of church life that have heretofore been dealt with in too many disparate ways. This is an attempt to synthesize all previous attempts into a single, encompassing formula.
This may sound a bit naive,
but I plan on laying it on thick. I have a million things to say. This is simply the introduction. I pray that I'll have the wherewithal to stick with it until the end.
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